Blog — MCAD Teaching Artist Practicum

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Jamie Kubat

Circle Fold Books

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Circle Fold Books

Circle Fold Books

Grade Level or Age of Participant: age 5 - 95 (basically all ages)

Organization: Minnesota Center for Book Arts, “Fold-Along Friday” weekly virtual book arts lesson

MCAD Teaching Artist:  Jamie Kubat

Number of Students: open (video demo, free for everyone)

 

OVERVIEW OF PROJECT

This project is a pre-recorded video that demonstrates how to make a folded circle book. This is a simple but elegant structure that can be used as a book with content or as a sculptural object. The demo is for MCBA’s Fold-Along Friday lineup, a virtual lesson format provided to their Facebook and Instagram audiences in response to the COVID-19 epidemic.

 

“BIG IDEAS”/ ESSENTIAL QUESTION(S)

This lesson provides a way for people to engage with MCBA through this time of social isolation. It is designed to support viewers/participants by giving them a thought provoking and enjoyable process to inspire them to create something new. 

Additionally, the project supports an organization that gives so much to the larger arts community through their programming and access to studio space. This lesson fills a gap left by social distancing and our current inability to teach face-to-face. 

 

STUDENT OUTCOME OBJECTIVES

Students will:

1. Construct a blank book

2. Develop content for the book if they desire

3. Adapt the lesson to their own needs or creative pursuits through experimentation

(The lesson provides a concrete way to accomplish the first step but the other two will be up to the viewer to pursue. Examples and verbal encouragement are provided for taking the content further).

 

PRIOR KNOWLEDGE

Basic knowledge of how to use a scissors to cut with and pencil to draw with is helpful. The rest of the steps are explained, such as folding paper, gluing, etc.

 

LESSON PREPARATION TIMELINE

By 4/16: submit lesson plan draft

By 4/19: create exemplars and set up space in my apartment for video. Experiment with video shots and photograph exemplars. Share demo ideas/footage with TA Development group.

By 4/25: Write script. Video draft edit and rework lesson plan. 

By 5/1: Submit video lesson to Shelby and Madeline for upload on Friday 5/15.

 

EXAMPLES OF ARTWORK

I made several exemplars, which are included in a gallery below.

 

ADDITIONAL RESOURCES

Link to MCBA’s free Fold-Along workshops here.

The Art of The Fold, by Hedi Kyle and Ulla Warchol. 

Making Handmade Books: 100+ Bindings, Structures & Forms, by Alisa J. Golden. 

 

ASSESSMENT

I asked people to tag their work on social media so I could see what they make, and I received some feedback through both social media and email responses. 

 

MATERIALS

Paper, enough for 8 circles in any size (suggested diameter of each circle is 4.5”)

Pencil

Compass or a bowl/other circular object to trace around

Bone folder, popsicle stick, ruler (or thumbnail) for folding

Glue stick, PVA glue, or other type of glue 

Other paper and drawing materials for collage/content/etc. (magazines, handmade paper, old prints, dried flowers, watercolors, etc.).

Optional heavier paper for covers (will provide size recommended for cover based on size of pages, or a way to find that size)

VIDEO DEMO  

LEARNING ACTIVITIES AND TIMING

1. Intro and talk about MCBA a bit and my role at MCBA/in this series of lessons. (2 min)

2. Cutting paper into circles (3 min; cut and fold most circles ahead of time and just demonstrate with one or two during lesson).

3. Folding the paper (4 min)

4. Gluing the pages together and gluing on a cover (8 min)

5. Wrapping up, asking people to support MCBA (Shelby requested, it’ll probably be specific to the version of the video I send them along with any other MCBA related info) 2 min

 

TEACHING ARTIST REFLECTION

What problems are anticipated with this lesson?

Timing and dealing with the video creation. Performing for a recorded video while home alone proved challenging but ultimately very worth the time and effort. 

How does this project fit into overall curriculum planning for the subject areas?

It goes well with other books that MCBA shares in their youth curricula: simple, easy to adapt for a variety of content purposes, unique, and fun to make

How will your students’ work be shared with the community?

They can share it on social media or with friends/family if they want to! 


The video I recorded for this lesson can also be found here, on MCBA’s Facebook page!

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Everyday Notebooks: Figure-Eight Sewn Booklets

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Everyday Notebooks: Figure-Eight Sewn Booklets

Planning Backwards Model 

Teaching Artist Practicum

Name of Project: Everyday Notebooks: Figure-Eight Sewn Booklet

Grade Level or Age of Participant: Highschool (Grades 11 & 12)

School, Teacher and Classroom: Perpich Center for Arts Education, Jeremy Lundquist (two sections of his printmaking class)

MCAD Teaching Artist:  Jamie Kubat

Number of Students: 33 total (17 in first group, 16 in second group)

VISUAL ARTS CONTENT OR STANDARDS

5.A.1.1 Visual Arts. All grades.1. Foundations 1. Use foundational knowledge and skills while responding to, creating, and presenting artistic work. 

OVERVIEW OF PROJECT

Students will be taught how to bind a single-signature book, using traditional binding tools as well as more accessible options (such as using a sponge to protect their work surface when punching holes, instead of a traditional book cradle, which is not readily available outside of book arts centers or some higher educational settings). 

“BIG IDEAS”/ ESSENTIAL QUESTION(S)

The lesson will introduce the idea of signature-sewn bindings and give the students a structure to potentially use in their final projects for the educational quarter, if they chose to. It will also hopefully communicate that bookmaking can be an accessible art form, a continuation of themes they have already been learning.

STUDENT OUTCOME OBJECTIVES Students will:

1. Sew a single-signature book binding

2. Use skills from two prior book projects together in one new one (sewing from stab binding and folding from meander book)

3. Construct a book from prepared materials

PRIOR KNOWLEDGE

Students do not need any prior knowledge to complete this lesson.

LESSON PREPARATION TIMELINE

Thursday, March 5: meet with Jeremy to finalize lesson details

Monday, March 9: buy paper for covers, thread, etc. and gather other TA materials from Lynda

Tuesday, March 10 (morning): cut down paper and gather all materials in one place

Tuesday, March 10 (afternoon): teach, document student work

EXAMPLES OF ARTWORK

Examples of various sample figure-eight bound books and zines (both blank exemplars and artist work).

ADDITIONAL RESOURCES

Making Handmade Books: 100+ Bindings, Structures & Forms, by Alisa J. Golden. $20. 

Non Adhesive Binding: Books without Paste or Glue, by Keith Smith. $30

ASSESSMENT

Goals for this project are for each student to complete their own book. Success will be students meeting this goal, engaging with the work/demonstration, and/or creating their own work beyond the lesson activity. Assessment can be obtained through observation and verbal feedback.

 

MATERIALS

In containers on the table or at each students’ place:

Bone folders (18)

Binding needles (18) 

Awls (Jeremy provides, 18)

Sponges (Jeremy provides, 18)

Paper for covers, such as mulberry, lokta or another strong, light paper (35, 18 for one class and 17 for the other. Set out for students to choose from)

Paper for pages (Jeremy provides. 8 per student plus some for me = 280. Set out for students to take). 

Scrap papers for guide (height of pages). (35 pieces)

Waxed thread (around 4 yds each of four colors, enough for each student to cut a piece for their book. Probably more than I need. Send around during demo/)

Scissors (1 for me and 4 to pass around with the thread)

Pencils so they can write their names in the back cover of the book (introduce colophons). 

LEARNING ACTIVITIES AND TIMING

1. Introduce book structure and sample books, purpose of lesson (new structure that is widely used, can be altered easily, this small one is a great pocket notebook size). Ask questions of students and show them examples of work made with the structure. (5 min.) 

2. Demo “hold and fold” method for folding pages and using bone folders if they haven’t done so before. Have students fold their pages and nest them inside one another correctly. Have students fold cover sheet as well. Talk about signatures, grain of paper, and paper for covers. (5-7 min.) 

3. Demo making a guide with scrap papers. Use guides to punch holes with awls & sponges. (5 min). 

4. Send thread around to be cut. Height = twice height of spine + a few inches. This can be done overlapping with previous step. (2 min).If available, a diagram on a whiteboard could be used. 

5. Demo threading needles, piercing string. Demo sewing the books and tying off thread with square knots, cutting ends while leaving tails, which can be run under the stitches inside the book. (5-7 min).

YAY! YOU HAVE A COOL LIL’ BOOK! 

 

TEACHING ARTIST REFLECTION

What problems are anticipated with this lesson?

Some of the problems are keeping the students focused, and making sure everyone can see the demonstrations. There are 17 students so taking it slow and make sure everyone knows what they are doing. Thankfully since they are teenagers they are old enough to help one another, plus Jeremy will be there to assist.

How does this project fit into overall curriculum planning for the subject areas?

Jeremy has been teaching them printmaking and basic book structures that can be easily used in combination with traditional and digital printmaking techniques. They have learned some folded structures as well as Japanese stab binding, and a figure-eight bound booklet is a natural third project. 

How will your students’ work be shared with the community?

They’ll hopefully be able to make & use these books on their own, going forward. I will also document the work and share it in my teaching artist journals.

How will you receive feedback on your teaching methodology and quality of student work?

I will ask for feedback from Jeremy and Lynda, and likely discuss the teaching with fellow book artists & educators who have taught similar lessons. 

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