Blog — MCAD Teaching Artist Practicum

Viewing entries by
Anavi Mullick

Comic of our Fears  hosted by Mia

Share

Comic of our Fears hosted by Mia

Comic of our Fears

Grade Level or Age of Participant: First grade and above

School, Teacher and Classroom: Minneapolis Institute of Art, Angela Olsen

MCAD Teaching Artist: Anavi Mullick

OVERVIEW OF PROJECT

This simple drawing project addresses fears and how to approach them with humor. Participants think about their own fears, choose one that is most alive for them, and then pick an animal which they feel best represents their fears. Then keeping in mind the fear and the animal they will draw the animal in a silly situation. For example; the fear of loved ones falling ill, embodied as a porcupine, and then imagining the porcupine juggling balls, and drawing this.

The lesson was designed focusing on the challenges that we are all facing as we live through a pandemic. Participants will be able to share their work through online social media platforms, as well as with members of their families.

A step-by-step document is featured on the Minneapolis Institute of Art (Mia) Website. Link Here.

“BIG IDEAS”/ ESSENTIAL QUESTION(S)

What are we afraid of? How can we learn to visualize something? How can art be reflective and expressive? How to draw from imagination? How can art be accessible to all?

 

STUDENT OUTCOME OBJECTIVES

Participants will:

1. Explore their own fears with guidance through a process to visualize a fear.

2. Draw from imagination.

3. Experience art as a form of expression.

4. Reflect on the power of the creative process.

PRIOR KNOWLEDGE

Ability to read/follow step-by-step instructions, or have a partner to help guide the participant.

LESSON PREPARATION TIMELINE

-       Brainstorming lesson

-       Step-by-Step planning

-       Reflect on outcomes and next steps

This lesson was conceived by Anavi Mullick from the MCAD Teaching Artist Practicum course and reviewed and workshopped by the Education Department of the Minneapolis Institute of Art prior to being included in their web lessons during the Covid 19 Pandemic

 

EXAMPLES OF ARTWORK

Samples chosen from the Collection at the Minneapolis Institute of Art.

-       Graham Sutherland, Bird and Mouse, 1968, 24.75 x 19.5 in.

https://collections.artsmia.org/art/54851/bird-and-mouse-graham-sutherland

-       Getsuju, Frog and Mouse, late 18th - early 19th century, 65 × 35 in.

https://collections.artsmia.org/art/117177/frog-and-mouse-getsuju

-       Gerhard Marcks, Cats, 1921, 15 x 20 in.

https://collections.artsmia.org/art/72892/cats-gerhard-marcks

-       Unknown artist, Seated Dog, 386-535.

https://collections.artsmia.org/art/872/seated-dog-china

-       John Randolph Carter, Grinning Dog with Raggedy Ann Doll, Clouds with Ears in Sky, 1979, 13.5 x 17 in.

https://collections.artsmia.org/art/8873/grinning-dog-with-raggedy-ann-doll-clouds-with-ears-in-sky-john-randolph-carter

-       Dudley Huppler, The Bug of Marianne Moore, 1945, 11 x 9 in.

https://collections.artsmia.org/art/128355/the-bug-of-marianne-moore-dudley-huppler

-       Unknown artist, Finial with Animal, late 12th-11th century BCE, 7 x 6 x 2 in.

https://collections.artsmia.org/art/1155/finial-with-animal-china

-       Clement Hurd, Animals, second half 20th century, 10.5 x 27 in.

https://collections.artsmia.org/art/117681/animals-clement-hurd

 

ADDITIONAL RESOURCES

-       Henri Rousseau’s (Artist) paintings of animals. (https://www.google.com/search?q=henri+rousseau+animal+paintings&hl=en&sxsrf=ALeKk00R9An6fyTyrO9S3pOqd82ipG4TPQ:1586804902830&source=lnms&tbm=isch&sa=X&ved=2ahUKEwjJ7r30jOboAhWRuJ4KHck5CUUQ_AUoAXoECBMQAw&biw=1172&bih=539)

 

SUPPORT MATERIALS

ASSESSMENT 

-How did you feel at the start of the lesson when you were thinking about what you were afraid of? How did you feel after the lesson?

 

MATERIALS

1.     A drawing tool

a.     Any one of the following; pencil. Pen, marker, crayon, color-pencil, paint and brush, chalk.

b.     Optional – if you think you would like to color your drawing after, you are welcome to. (crayons, paint, color pencil)

2.     A writing tool - a pencil or pen

3.     Paper/drawing surface - (2)

a.     Anything you have around you. (blank white paper, one sided paper, ruled sheets, an old paper bag, cut open a cereal box and use the inner surface, colored paper, newspaper, your driveway or sidewalk if you are using chalk)

4.     A comfy spot to sit, with a flat surface in reach. Not limited to, but a few options are; a dining table, or on the floor, or with a drawing board/a clipboard, or against a wall.

 

LEARNING ACTIVITIES AND PROJECT OVERVIEW

PROVIDE AN OVERVIEW OF THE PROJECT, PROCESS AND PURPOSE. See description above.

PREPARE. Gather drawing tool and decide on a drawing surface. Have everything at hand prior to starting. Then get comfortable.

Step 1. Brainstorming. Take a few seconds to observe your body, your breath, your heartbeat. You can close your eyes if you would like. 

Think about where you are, how you have been feeling, what you are afraid of.

 Step 2. Making a list and choosing. If your eyes were closed, you can open them. Pick up your writing tool, and your chosen drawing surface. Make a list of the fears that came to mind.

 When you are done with your list, take a moment to look at your list and identify which fear feels the most alive to you? Choose one that stands out to you.

Is it big and overwhelming? Is it small but sharp? Can you imagine this fear as an animal? What animal represents this fear?

Step 3. Imagining. Once you have chosen an animal that represents your fear, think of the animal doing something silly. Is it juggling balls? Eating fourteen bananas at the same time? Jumping on a trampoline? Be as silly as you can!

Step 4.  Draw it! Draw the animal doing this silly thing! Color it if you would like to. Do not worry about the animal or the activity looking ‘correct’. Just draw and enjoy! No judgement.

Step 5. Think about it….How do you feel now? Is your fear as great? Do you feel differently?

Step 5. Upload image, hashtag and respond. Tag @artsmia if you choose to post it, or #InspiredbyMia #MiaFromHome #MuseumFromHome. We’d love to hear what animal you chose, why you chose it and how you feel now.

Do as many as you like!

TEACHING ARTIST REFLECTION

-       Some participants will need assistance depending on their age in participating.

-       Participants might feel intimidated to think about the fears or drawing.

-       Challenging to consider consider sharing their artwork online

 Assessment from staff, general assessment through social media.

Share

A Shoe's Perspective

Share

A Shoe's Perspective

A Shoe’s Perspective

Grade Level or Age of Participant: Planned for Grade 5 students, valid for any age.

Duration: 2 hours (can be split over two sessions)

School, Teacher and Classroom: Whittier Elementary International School, Jane Swatosh. Classroom 210

MCAD Teaching Artist: Anavi Mullick

Number of Students: 30

VISUAL ARTS CONTENT OR STANDARDS

Code: Visual Arts 5.5.2.2.1

Grade: 5

1. Strand: Create

2. Generate and develop original artistic ideas

1. Modify an original idea for a work of art.

CURRICULAR LINK / STANDARDS (if in a classroom only)

Code: English Language 5.6.3.3

Grade: 5

Substrand: 6. Common Core Writing Standards K–5

Anchor Standard: 3. Write narratives and other creative texts to develop real or imagined experiences or events using effective technique, well-chosen details, and well-structured event sequences.

Benchmark: 4. Use concrete words and phrases and sensory details to convey experiences and events precisely.

OVERVIEW OF PROJECT

This drawing project focuses on combining observational drawing with storytelling and narrative. Students will do a contour line drawing of their own shoes, adding visual elements to emphasize their personal stories/narrative.

“BIG IDEAS”/ ESSENTIAL QUESTION(S)

What big idea or question(s) will students explore and wrestle with?

How do you learn to draw what you see, not what you know? How do you tell a story through images?

STUDENT OUTCOME OBJECTIVES

Students will:

1. Develop their creative thinking skills as they create narratives of a non-living object.

2. Expand their observational drawing skills by slowing down and following the contours of a still-life object, (contour line drawing).

3. Think about the process of editing, as they will add/remove visual information that contributes to their personally chosen narrative.

PRIOR KNOWLEDGE

- Little or no drawing experience

- Basic writing skills

LESSON PREPARATION TIMELINE

- Brainstorming Meeting with Lynda Monick-Isenberg (02/20/2020)

- Planning Backward Model Draft 1 (02/23/2020)

- Revised Planning Backward Model (02/25/2020)

- Create Materials Budget

- Create exemplar

- Reference Artists

- Gather materials

EXAMPLES OF ARTWORK

Allison Kunath- Seven years of contour line portraits

Drawings by previous students who participated in a similar lesson plan.

Julie Mehretu, Alberto Giacometti- Gesture Drawing

ADDITIONAL RESOURCES

http://www.allisonkunath.com/blind-contour-portraits

http://www.iansklarsky.com/portraits


ASSESSMENT

- One-word verbal share that describes their experience of the lesson.

- Written feedback; what did you like most about today? What did you find challenging?

MATERIALS

Supplies needed for each student

- Paper - 3 sheets each, 12”x 9.5” ( One for blind contour drawing, one for contour drawing/coloring and one to place still-life object on), extras.

- Graphite Draing Pencil

- Color Pencils - assorted colors

- Printed artist works to show students or image to project on white board

- Ruled paper for writing

- Pencil Sharpener

LEARNING ACTIVITIES AND TIMING

1. Introducing the project (10 min).

- Talk about drawing as a universal visual language, brainstorm with students, different professionals who use some form of drawing. Painter, printmaker, architect, scientist, furniture maker. Show them different kinds of drawings-gestural, contour, etc.

2. Showing artist samples of Blind Contour drawings. (5 min)

- Do a demo of the blind contour drawing process. Do not finish the drawing. Have them watch – and share what they notice about what you did.

3. Blind contour drawing of their shoe. (5-10 min)

- Let them know the winner of this ‘race’ is the last to finish. Suggest they draw as slowly as a snail crawling on the surface of the shoe.

4. A sighted contour line drawing. (20 min)

- Have students reflect on the drawing. What did they notice about the shoe? Ask them to speculate about where the shoe has been, what has it walked through, how did it get here?

6. Coloring (Color Pencils) (20-30 min)

5. Write down their stories. (15 min)

- What does it look like? Has it got colorful shoelaces, long? skinny? muddy? Is its sole worn out?

- Where did it come from? A store? A hand-me-down? Somewhere else?

- Think of it as describing the biography of your shoe, or a story from the shoe’s point of view.

- Can be invented/fictional.

6. Sharing their stories (20 min)

- 30 children, maybe a minute sharing, optional sharing.

- Sit in a circle to share.

7. Collect the stories and artwork for documentation purposes.

- Display work around school

8. Evaluation (one-word verbal and two-three written questions) (5-7mn)

etc.

- while sitting in a circle.

- Remind children to write names on the back of the drawing.


TEACHING ARTIST REFLECTION

- Students may find it challenging to come up with their own stories. They might be frustrated that their drawings look different than expected.

- This project relates to their overall curriculum as they have been recently learning to research and summarize their readings and well as write their own fictional stories. The project will address their creative writing skills.

- Students work will be displayed in the hallways of the School

- Feedback will be received from students, teacher, and self-evaluation.




Share